Looking at Sports as Powerful Modes of Expression
August 19, 2019
Struggle and overcoming are also themes in Hank Willis Thomas’s “Overtime” (2011) and “Opportunity” (2011). The former is a high-contrast video of Black men playing basketball, intercut with images of a noose — it questions the relationship between images of Black men in triumph on the court and painful portrayals of lynching and violence. The latter, a sculpture installed nearby, captures the moment a hand reaches out for a football, when it is still unclear if the ball has been caught or dropped.
Why is African American art having a moment? The reasons are as varied as the art itself
June 2, 2019
Museums and collectors are taking notice. New black curators and scholars are entering the field of art. Prices are astounding. Is this the moment African American art has been waiting for?
Hank Willis Thomas answered his mobile phone, but he couldn’t talk just then. He was in Brussels, at the opening of his solo exhibition at Maruani Mercier, a prominent local art gallery. It was but one stop in what might seem a constant world tour these days for Thomas, who, at 43, personifies the successful mid-career artist.
Affordable Alternatives to the Main Fairs
New York Times
May 1, 2019
Frieze New York and TEFAF are a bit pricey, but looking is free (or nearly) at Frieze Sculpture at Rockefeller Center and alternative fairs in Brooklyn and Manhattan.
Frieze Sculpture at Rockefeller Center, an offshoot of the Frieze New York art fair on Randalls Island, in partnership with Tishman Speyer, is offering 16 sculptures by 14 contemporary artists placed around the complex, ready for enshrinement on your smartphone.
At the complex’s north end, Hank Willis Thomas’s two bright metal sculptures recreate talk bubbles in comic strips. (Visitors promptly adopted them as frames for photographing themselves.)
Portland Art Museum to Present Major Survey 'Hank Willis Thomas: All Things Being Equal...'
April 11, 2019
This fall the Portland Art Museum presents Hank Willis Thomas: All Things Being Equal…, the first major survey of the work of one of America’s most important conceptual artists working today. The exhibition opens October 12, 2019, and will be on view through January 12, 2020.
Throughout his career, Hank Willis Thomas (American, born 1976) has addressed the visual systems that perpetuate inequality and bias in bold, skillfully crafted works. Through photographs, sculpture, video, and collaborative public art projects, he invites us to consider the role of popular culture in instituting discrimination and how art can raise critical awareness in the ongoing struggle for social justice and civil rights.
Bronx Gala; Bronx Museum of the Arts
April 9, 2019
Last night the Bronx Museum of Arts reached a milestone, their annual Bronx Gala lead by Executive Director Deborah Cullen raised over a million dollars making it the most profitable gala in the museum’s history. The event honored Hank Willis Thomas and Eric Gottesman for their work with For Freedoms, Junko Kobayashi, the President of the Stan Lee Foundation, and art journalist and curator Carey Lovelace.
The opening cocktail hour witnessed guests sipping curated cocktails while perusing the auction artworks, which included works from Sanford Biggers, Zoe Buckman, KAWS, Angel Otero, and many more. Afterwards, guests shuffled into the dining room for a plated dinner and an exclusive performance from TK Wonder. The performance segued into the night’s honorees, where famed record producer Swizz Beatz presented the Art for Justice Visionaries Award to Hank Willis Thomas and Eric Gottesman for the work they commit to with For Freedoms.
Pratt Institute’s School of Art Present "Open Exchange: Belonging"
March 27, 2019
Pratt’s School of Art (SoArt) and the Fine Arts department are proud to present an evening of open exchange for the third annual School of Art Lecture Series event. This year’s event will bring together five thought leaders to share the ways that they have approached notions of safety in their practice. Participants include Ana M. Bermúdez, Commissioner of the New York City Department of Probation; Jammal Lemmy, creative director for March for Our Lives; Hank Willis Thomas, conceptual artist and activist; niv Acosta, multimedia artist and activist; and Tom Finkelpearl, Commissioner of the New York City Department of Cultural Affairs (DCLA).
Updating Norman Rockwell’s ‘Four Freedoms’ for a Modern, Diverse America
The New York Times
March 12, 2019
Norman Rockwell’s “Four Freedoms” series presented an image of America intended to bolster patriotic spirit during World War II. Based on a 1941 speech by President Franklin D. Roosevelt in which he extolled the global right to freedom of speech and worship, freedom from want, and the freedom from fear, Rockwell’s canvases were a celebration of Americana. It was, however, a selective celebration. When Rockwell made these paintings in 1943, Japanese-Americans were imprisoned in internment camps while African-American soldiers who grew up under Jim Crow fought in segregated units. “At that time in America, it seems what it meant to be American was white Anglo-Saxon,” said the photographer and conceptual artist Hank Willis Thomas. “We want to shine a light on the fact that artists’ work is often political and shapes culture and society.”
Hank Willis Thomas Selected to Design Martin Luther King, Jr. Memorial in Boston
March 4, 2019
The organization King Boston has named Hank Willis Thomas the winner of a competition to design a new monument to the married activists Martin Luther King, Jr. and Coretta Scott King. Thomas’s monument will appear on Boston Common in the Massachusetts capital, where it is currently expected to be unveiled in 2020.
Guadalupe Rosales and Hank Willis Thomas Awarded Gordon Parks Foundation Fellowships
February 13, 2019
The Gordon Parks Foundation announced that Guadalupe Rosalesand Hank Willis Thomas have been named 2019 fellows. The artists have each been awarded $20,000 to support new or ongoing projects that reflect and draw inspiration from the themes of representation and social justice in Parks’s creative work. Each project will culminate in exhibitions that will be held at the foundation’s exhibition space in Pleasantville, New York, later this year.