Squeeze It Like an Orange: Passionate Painter Huguette Caland Shines at Tate St. Ives
June 14, 2019
Huguette Caland’s painting series Bribes de Corps (Body Parts) could very well be an expression of orgasmic pleasure. The canvases painted in the early 1970s are filled with bright, sunny bursts of vibrating color. Organic forms—abstract and elemental—evoke feminine curves, slits, and points of embrace. Created in the run-up to the Lebanese civil war as the Beirut-born but relocated artist found her voice in Paris, the works reflect Caland’s essence as a free, fun-loving woman detaching herself from the burdens of patriarchal tradition and the conventions of genre. While hints of the Mediterranean Sea remained, Caland liberated her paintings from a sense of place and opted instead to search deep inside her own soul and desires.